Fine-grain film stocks

ADOX CHS 100 II is an orthopanchromatically-sensitized ISO 100 B&W film with classic grain structure and wide exposure latitude, available in 135 and 120.

ADOX HR-50 is a superpanchromatically-sensitized ISO 50 B&W film based on a high-resolution technical emulsion with extended red/near-IR sensitivity.

AgfaPhoto APX 100 is a panchromatic ISO 100 B&W film currently produced by Harman Technology for Lupus Imaging, offering fine grain and high sharpness.

AgfaPhoto APX 400 is a panchromatic ISO 400 B&W film produced by Harman Technology for Lupus Imaging, offering subtle grain and flexible push capability.

Agfa Vista 100 was a discontinued ISO 100 C-41 color negative film known for vibrant, saturated colors and ultra-fine grain, originally produced by Agfa-Gevaert.

Agfa Vista 200 (Vista Plus 200) was a discontinued ISO 200 C-41 color negative film made by Fujifilm for Lupus Imaging, discontinued in 2018.

Agfa Vista 400 (Vista Plus 400) was a discontinued ISO 400 C-41 color negative film, essentially a repackaged Fujifilm Superia 400, discontinued in 2018.

Candido 200 is a tungsten-balanced ISO 200 C-41 color negative film from UK brand Candido Collective, built on Kodak Vision3 200T (EK 5213) emulsion with the remjet layer removed.

Candido 400 is an ISO 400 daylight-balanced C-41 color negative film from Candido Collective, built on Kodak Vision3 250D emulsion with the remjet layer removed.

CatLABS X FILM 100 Color is a daylight-balanced ISO 100 C-41 color negative film from Boston lab CatLABS, available in 135 and 120 formats, believed to be re-spooled Kodak Aerocolor IV 2460 aerial film.

FilmNeverDie KUMO 250D is a daylight-balanced ISO 250 ECN-2 cine film in 135 format, widely understood to be respooled Kodak Vision3 250D with the remjet layer retained, offering fine grain, wide dynamic range, and a cinematic look.

FilmNeverDie KURO 100 is an ISO 100 black-and-white C-41-compatible 35mm film ('KURO' meaning black in Japanese) with classic fine grain, pleasing contrast, and versatile character suited to portraiture, landscape, and street photography.

FilmNeverDie SORA 200 is a daylight-optimized ISO 200 C-41 color negative film based on Kodak Vision3 250D cine emulsion with remjet removed, delivering fine grain, vivid colors with strong reds, and soft tones ideal for sunny day photography.

FilmNeverDie SUIBO 500T is an ISO 500 tungsten-balanced ECN-2 cine film in 135 format, widely identified as respooled Kodak Vision3 500T, delivering cinematic quality with cool blue tones and high sensitivity for artificial light and low-light shooting.

Fujifilm Fujichrome Astia 100F was a professional E6 reversal (slide) film available in 135 and 120 formats, renowned for its exceptionally soft, natural skin tone rendering and low contrast. It was the preferred choice of portrait and fashion photographers shooting transparency film.

Fujifilm C200 was an entry-level consumer C-41 color negative film at ISO 200, sold worldwide as an affordable daylight film offering pleasing color with a slight warm bias. It was discontinued in 2022 and subsequently replaced by Fuji 200 (manufactured by Kodak).

Fujifilm Industrial 100 was a Japan-only ISO 100 C-41 color negative film distributed through industrial and commercial channels rather than consumer retail. It was discontinued around 2017 and is noted for its cool, neutral rendering suited to documentation and technical photography.

Fujifilm Neopan 100 Acros is an ultra-fine-grain ISO 100 black-and-white negative film celebrated for its world-class granularity, wide tonal range, and exceptional reciprocity characteristics. The original Acros was discontinued in 2018; Acros II relaunched in November 2019 with a reformulated emulsion and is the current production version.

Fujifilm Neopan 400 (sold as Neopan Presto 400 in Japan) was a high-speed ISO 400 panchromatic black-and-white negative film, prized for its fine grain for the speed, high exposure latitude, and a distinctly clean, silvery tonal character. It was discontinued in 2013–2014.

Fujifilm Pro 400H was a professional ISO 400 C-41 color negative film in 135 and 120 formats, widely acclaimed for its fine grain, wide exposure latitude, soft skin tones, and distinctive cyan-green color bias. It was discontinued in March 2021, causing significant demand for remaining stock.

Fujifilm Fujichrome Provia 100F (RDPIII) is a professional E6 reversal (slide) film in 135 and 120 formats, known for its natural, balanced color reproduction, very fine grain, and moderate saturation. It remains in production as of 2026 and is one of the last professional slide films available.

Fujifilm Superia 100 was a consumer ISO 100 C-41 color negative film in 135 format, part of the Superia family known for accurate, slightly warm color rendering and fine grain. It has been discontinued in most markets.

Fujifilm Superia 200 is a consumer ISO 200 C-41 color negative film in 135 format, part of the Superia family. Known for natural, slightly warm colors and fine grain at ISO 200, it remains one of the more available Fujifilm consumer films in some markets, though availability has reduced.

Fujifilm Superia Premium 400 (also known as Superia Venus 400 in some markets) is a consumer ISO 400 C-41 color negative film in 135 format, positioned above the standard Superia 400 with finer grain and improved sharpness. It has been discontinued in most markets.

Fujifilm Fujichrome Velvia 100 (RVP 100) is a professional E6 reversal slide film in 135 and 120 formats, offering extremely high saturation, deep colors, and fine grain at ISO 100. It is in production as of 2026 and is one of the most vividly saturated color films ever made.

Fujifilm Fujichrome Velvia 50 (RVP 50) is the legendary professional E6 reversal slide film at ISO 50 that defined landscape and nature photography for a generation. Characterized by extreme saturation, deep contrast, and ultra-fine grain, it remains in active production as of 2026.

HARMAN Phoenix II 200 is a complete reformulation of the original Phoenix emulsion, launched in July 2025. It retains Phoenix's creative character but delivers cleaner color balance, finer grain, improved exposure latitude, and more neutral contrast compared to its predecessor — while still offering a distinct, non-mainstream look.

Ilford Delta 100 Professional is a medium-speed, fine-grain black-and-white tabular-grain film rated ISO 100. Part of HARMAN Technology's Delta series of T-grain emulsions, it delivers outstanding sharpness and tonal gradation for portrait, landscape, and studio work.

Ilford Delta 400 Professional is a high-speed tabular-grain black-and-white film rated ISO 400, offering fine grain for its speed class and wide push-processing latitude up to EI 3200. A versatile all-purpose professional emulsion for documentary, street, and reportage photography.

Ilford FP4 Plus is a medium-speed, all-purpose black-and-white film rated ISO 125, delivering very fine grain, outstanding sharpness, and superb exposure latitude. A classic emulsion with decades of history, ideal for portraits, landscapes, and architecture in good lighting conditions. Note: the database row carries ISO 400, which is a data entry error — the actual film speed is ISO 125.

Ilford Kentmere 100 (Kentmere Pan 100) is a budget-tier ISO 100 black-and-white film manufactured by HARMAN Technology. It offers fine grain, good sharpness, and broad tonal range with medium contrast — a cost-effective entry point to quality black-and-white photography. Available in 35mm and 120.

Ilford Kentmere 400 (Kentmere Pan 400) is a budget-tier ISO 400 black-and-white film manufactured by HARMAN Technology. It delivers high speed with fine grain, good sharpness, and broad tonal range — commonly regarded as a cost-effective alternative to ILFORD HP5 Plus. Available in 35mm and 120.

Ilford Ortho Plus 80 is an ISO 80 orthochromatic black-and-white film from HARMAN Technology. Insensitive to red light, it can be handled under red safelights, renders reds and oranges darker than panchromatic films, and produces extremely fine grain with high sharpness. Available in 35mm, 120, and sheet film formats.

Ilford Pan F Plus is an ultra-fine-grain, high-acutance black-and-white film rated ISO 50, offering exceptional resolution and sharpness for maximum-quality enlargements. Note: the database row records ISO 100, which is a data entry error — Pan F Plus is an ISO 50 film.

Ilford XP2 Super 400 is a chromogenic black-and-white film processed in standard C-41 color chemistry, rated ISO 400. It delivers fine grain, wide tonal range, and the unique ability to shoot a single roll at multiple ISOs (EI 50–800) and still process as one roll in any minilab. Note: the database records ISO 200 for this stock, which is a data entry error — XP2 Super is rated ISO 400.

JCH StreetPan 400 is an ISO 400 panchromatic black-and-white film from Japan Camera Hunter (Bellamy Hunt), originally based on Agfa Aviphot aerial/surveillance emulsion, featuring extended red sensitivity to 750 nm.

Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.

Kodak 5294 (Vision E100D) is a discontinued ISO 100 daylight-balanced ECN-2 colour negative cine film, originally introduced for motion picture use requiring fine grain and accurate daylight rendering. It was discontinued in the early 2000s as the Vision2 and Vision3 families superseded it.

Kodak Portra 160 is a professional C-41 color negative film with fine grain, soft contrast, and natural color.

Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.

Kodak T-Max 100 (TMX) is a professional ISO 100 black-and-white T-grain negative film celebrated for its extremely fine grain, high sharpness, and wide tonal range — one of the finest-grained B&W films available in 135 and 120.

Kodak T-Max 400 (TMY-2) is a professional ISO 400 black-and-white T-grain negative film offering best-in-class combination of fine grain, high sharpness, and wide exposure latitude at ISO 400, available in 135 and 120.

Kodak Vision3 250D is a daylight-balanced motion picture color negative film adapted by many still photographers for ECN-2 processing.

Kodak Vision3 5203 50D is a daylight-balanced ISO 50 professional colour negative motion picture film, the slowest stock in the Vision3 family, offering ultra-fine grain, extraordinary colour accuracy, and exceptional latitude for brightly lit exterior and studio cinematography.

Kodak Vision3 5213 200T is a tungsten-balanced ISO 200 professional colour negative motion picture film offering fine grain, wide dynamic range, and natural indoor/tungsten-light colour rendering — a versatile mid-speed cine stock for mixed and controlled lighting.

Leica MONOPAN 50 is Leica Camera AG's first-ever branded 35mm black-and-white film, an ISO 50 ultra-fine-grain super-panchromatic emulsion manufactured in Germany by Adox, launched in June 2025 to mark Leica's 100th anniversary.

Lomography Earl Grey 100 is an ISO 100 panchromatic black-and-white negative film based on a Fomapan emulsion, available in 35mm and 120 formats, offering fine grain and high dynamic range.

Lomography Lady Grey 400 is a panchromatic ISO 400 B&W negative film based on Fomapan 400 emulsion, available in 35mm and 120 formats, offering smooth gradated tonality and fine grain for a high-speed stock.

LomoChrome Metropolis is a Lomography ISO 100–400 extended-range C-41 color negative film introduced in 2019, featuring a desaturated, muted palette with intense pops of red and orange evoking urban cinematic aesthetics.

Lomography Color Negative 100 is a daylight-balanced ISO 100 C-41 color negative film offering vibrant, highly saturated colors and fine grain, available in 35mm and 120 formats.

Lomography Potsdam Kino 100 is a respooled ORWO UN54 panchromatic black-and-white cine film at ISO 100, offering fine grain, high sharpness, rich contrast, and a heavy silver halide composition in 35mm and 120 formats.

Lomography X-Pro Slide 200 is a daylight-balanced ISO 200 E6 color transparency film based on the Agfachrome RSX II 200 emulsion, designed for cross-processing in C-41 for vivid, high-contrast results; availability is limited and likely discontinued.

Lucky Color 200 (C200) is a daylight-balanced ISO 200 C-41 color negative film produced by Lucky Film Company (Baoding, China), relaunched in 2025 after over a decade off the market. Available in 135 and 120 formats, it is notable for warm reds, punchy blues, and fine grain for its speed class.

Lucky SHD 100 is an ISO 100 panchromatic B&W negative film produced by Lucky Film Company (Baoding, China). A reformulated 'New SHD 100' was released in 2017 on a near-transparent polyester base with improved grain and scratch resistance. Available in 135 and 120. Current availability outside China is limited.

ORWO Wolfen NC200 is an ISO 200 C-41/ECN-2 compatible color negative film in 135 format, produced by ORWO/InvisCoat at the historic Bitterfeld-Wolfen site in Germany. Teased in 2023 and first publicly shown in March 2025, it is ORWO's first ISO 200 still-photography color film and resolves the dull color cast noted in the NC400/NC500.

ORWO Wolfen NP100 is an ISO 100 fine-grain panchromatic B&W negative film in 135 format, produced at Bitterfeld-Wolfen, Germany. Announced in April 2022, it is ORWO's first professionally finished B&W photo film in 50 years, featuring a dyed anti-halation layer between base and emulsion for improved sharpness.

ORWO Wolfen UN54 is an ISO 100 panchromatic B&W negative film in 135 format, produced by FilmoTec at Bitterfeld-Wolfen, Germany. A still-photography respool of the ORWO N74 cine emulsion, it offers high silver content, fine grain, rich tonal scale, and reversal-processing capability.

REFLX LAB 200T is a 120-format ECN-2 color negative film respooled from Kodak Vision3 5213 (200T) motion picture stock. Tungsten-balanced (3200K) at ISO 200, it retains its rem-jet layer and requires ECN-2 processing. Suited for indoor/artificial light and cinematic daylight work.

REFLX LAB 250 is an ISO 250 C-41 color negative film in 135 format, respooled from Kodak Vision3 5207 (250D) with the rem-jet removed, allowing C-41 processing. Daylight balanced, it is a sister product to REFLX LAB 320D (which retains the AHU layer) and delivers the cinematic Vision3 250D look in standard labs.

REFLX LAB 320D is an ISO 320 C-41 color negative film in 135 format, respooled from Kodak Vision3 5207 250D with the new AHU (anti-halation undercoat) layer. The AHU eliminates rem-jet while retaining halation control, scratch resistance, and static protection. Best rated at ISO 320 in C-41.

REFLX LAB 400D is an ISO 400 C-41 color negative film in 135 format, respooled from Kodak Vision3 5207 250D with the rem-jet removed. Despite the '400D' name, the underlying emulsion is 250D; the faster ISO rating reflects the rem-jet removal and C-41 processing adaptation. Delivers punchy cinematic daylight color.

REFLX LAB 500T is a 120/220-format ECN-2 color negative film respooled from Kodak Vision3 5219 (500T) motion picture stock. Tungsten-balanced (3200K) at ISO 500, rem-jet retained, ECN-2 required. Ideal for low-light indoor/studio work and cinematic medium-format photography.

REFLX LAB 50D is a 120-format ECN-2 color negative film respooled from Kodak Vision3 5203 (50D) motion picture stock. Daylight-balanced (5500K) at ISO 50, rem-jet retained, ECN-2 required. Known for the world's finest grain in a cinema emulsion and exceptional sharpness.

REFLX LAB F-64D is an ISO 50 ECN-2 color negative film in 135 format, respooled from well-preserved Fujifilm F-64D motion picture stock (discontinued 2013). Daylight-balanced (5500K), rem-jet retained, ECN-2 required. Same emulsion used in The King's Speech.

REFLX LAB PAN200 Infrared is an ISO 200 panchromatic B&W negative film in 120/220 format, respooled from Agfa Aviphot Pan 200 aerial/surveillance film. Sensitive into the near-infrared (up to ~750nm), it delivers enhanced contrast, haze penetration, and glowing foliage under IR filters.

REFLX LAB PRO100 is an ISO 100 C-41 color negative film in 120/220 medium format, respooled from Kodak Aerocolor IV 2460 aerial film. Daylight-balanced, it emphasizes reds, greens, and browns, and can be pushed to ISO 800 or cross-processed in E-6. Originally an aerial film, it offers fine grain and high resolving power.

Rollei Infrared is a super-panchromatic black-and-white film with sensitivity extending to 820 nm, usable with or without an infrared filter across 35mm and 120 formats.

Rollei Ortho 25 Plus is an orthochromatic, ultra-fine-grain ISO 25 black-and-white film with spectral sensitivity limited to 610 nm, ideal for technical and fine-art photography.

Rollei Retro 400S is a super-panchromatic ISO 400 black-and-white film derived from Agfa-Gevaert Aviphot Pan 400S aerial stock, with extended red sensitivity to 750 nm.

Rollei Retro 80S is an ISO 80 super-panchromatic black-and-white film derived from Agfa Aviphot Pan 80 aerial stock, featuring extended near-infrared sensitivity and a clear polyester base.

Rollei RPX 100 is a medium-speed ISO 100 panchromatic black-and-white film with very wide exposure latitude (ISO 25–800) and a polyester base, available in 35mm and 120.

Rollei RPX 25 is an ultra-low-speed ISO 25 panchromatic black-and-white film offering the finest grain and highest resolving power of the RPX series.

Rollei SuperPan 200 is an ISO 200 super-panchromatic black-and-white film with spectral sensitivity to 750 nm, usable as a standard negative, slide, or near-infrared film.

Shanghai GP3 is an ISO 100 panchromatic black-and-white negative film from Shanghai Jiancheng Film (China), known for fine grain, high contrast, and rich silver-rich tonality.

Street Candy ATM400 is an ISO 400 panchromatic black-and-white film repurposed from decommissioned ATM bank surveillance stock, offering high contrast with wide dynamic range.

Street Candy MTN100 is an ISO 100 black-and-white motion-picture-derived film from Street Candy (France), offering cinematic tonality and the ability to be processed as negative or reversal slide.

Svema FN-64 is an ISO 64 panchromatic black-and-white film with near-infrared sensitivity to 750 nm, produced by Astrum (Ukraine) on a transparent polyester base.

Svema Foto 100 is an ISO 100 panchromatic black-and-white fine-grain negative film produced by Astrum (Ukraine), respooled from Svema-era emulsion stocks.

Film Washi E is an extremely low-sensitivity ISO 3 black-and-white film from French maker Film Washi, repurposed from industrial printed circuit board (PCB) lithographic film, available in 120 format on a transparent blue polyester base.

Film Washi K is an ISO 100 black-and-white film from Film Washi (France), repurposed from expired rolls of Kodak Plus-X Aerographic 2402 vintage aerial film, available in 120 and 4×5 formats.