Rendering profile
- Tags
- daylight, cinematic, punchy
- Best use cases
- outdoor daylight, street, portrait
REFLX LAB 400D is an ISO 400 C-41 color negative film in 135 format, respooled from Kodak Vision3 5207 250D with the rem-jet removed. Despite the '400D' name, the underlying emulsion is 250D; the faster ISO rating reflects the rem-jet removal and C-41 processing adaptation. Delivers punchy cinematic daylight color.
Key specs
Grain
fine-medium
Contrast
punchy
Saturation
Unknown
Latitude
wide highlight latitude
REFLX LAB 400D is a 35mm color negative film sourced from Kodak Vision3 5207 250D motion picture stock, with the rem-jet backing chemically removed to allow standard C-41 processing. The '400D' designation reflects the adjusted box speed recommendation for C-41 development without rem-jet, providing adequate density while maintaining the Vision3 250D emulsion's high contrast, vivid daylight color palette, and wide highlight latitude. Community reviews consistently praise the film's punchy contrast and tonal range from highlights to shadows in daylight, while noting that the first 1–2 frames are prone to light piping—a characteristic of polyester-based respools. Distinct from the 320D (AHU variant) in that 400D uses the earlier rem-jet-free respool method.
C41
REFLX LAB 250 is an ISO 250 C-41 color negative film in 135 format, respooled from Kodak Vision3 5207 (250D) with the rem-jet removed, allowing C-41 processing. Daylight balanced, it is a sister product to REFLX LAB 320D (which retains the AHU layer) and delivers the cinematic Vision3 250D look in standard labs.
C41
REFLX LAB 800T is an ISO 800 C-41 color negative film in 135 format, respooled from Kodak Vision3 5219 (500T) with the rem-jet removed and rated at ISO 800. Tungsten-balanced (3200K), C-41 compatible, pushable to ISO 3200. Suited for low-light and nighttime photography without requiring ECN-2.
C41
REFLX LAB PRO100 is an ISO 100 C-41 color negative film in 120/220 medium format, respooled from Kodak Aerocolor IV 2460 aerial film. Daylight-balanced, it emphasizes reds, greens, and browns, and can be pushed to ISO 800 or cross-processed in E-6. Originally an aerial film, it offers fine grain and high resolving power.