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Film stock wiki

Process

Cinema film stocks

Published ECN-2 and cinema-derived film profiles, including remjet and lab handling notes where available.

12 stocks

ECN2

FilmNeverDie SUIBO 500T

ISO 500

FilmNeverDie SUIBO 500T is an ISO 500 tungsten-balanced ECN-2 cine film in 135 format, widely identified as respooled Kodak Vision3 500T, delivering cinematic quality with cool blue tones and high sensitivity for artificial light and low-light shooting.

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ECN2

Flic Film Cine Color Vision3 50D

ISO 50

Flic Film Cine Colour 50D is Kodak Vision3 5203 respooled into 135-format cartridges for ECN-2 processing, with remjet layer intact.

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ECN2

Flic Film Cine Colour 200T

ISO 200

Flic Film Cine Colour 200T is Kodak Vision3 200T respooled into 135-format cartridges for ECN-2 processing, with remjet layer intact.

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ECN2

Flic Film Cine Colour 250D

ISO 250

Flic Film Cine Colour 250D is Kodak Vision3 5207 (250D) respooled into 135-format cartridges for ECN-2 processing, with remjet layer intact.

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ECN2

Flic Film Cine Colour 500T

ISO 500

Flic Film Cine Colour 500T is Kodak Vision3 5219 (500T) respooled into 135-format cartridges for ECN-2 processing, with remjet layer intact.

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ECN2

Kodak Vision3 200T 5213

ISO 200

Kodak Vision3 5213 200T is a tungsten-balanced ISO 200 professional colour negative motion picture film offering fine grain, wide dynamic range, and natural indoor/tungsten-light colour rendering — a versatile mid-speed cine stock for mixed and controlled lighting.

tungstenindoorcinematic
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ECN2

Kodak Vision3 50D 5203

ISO 50

Kodak Vision3 5203 50D is a daylight-balanced ISO 50 professional colour negative motion picture film, the slowest stock in the Vision3 family, offering ultra-fine grain, extraordinary colour accuracy, and exceptional latitude for brightly lit exterior and studio cinematography.

daylightultra-fine-grainhigh-dynamic-range
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ECN2

Reflx Lab 200T

ISO 200

REFLX LAB 200T is a 120-format ECN-2 color negative film respooled from Kodak Vision3 5213 (200T) motion picture stock. Tungsten-balanced (3200K) at ISO 200, it retains its rem-jet layer and requires ECN-2 processing. Suited for indoor/artificial light and cinematic daylight work.

tungstencinematicECN-2-only
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ECN2

Reflx Lab 320D

ISO 320

REFLX LAB 320D is an ISO 320 C-41 color negative film in 135 format, respooled from Kodak Vision3 5207 250D with the new AHU (anti-halation undercoat) layer. The AHU eliminates rem-jet while retaining halation control, scratch resistance, and static protection. Best rated at ISO 320 in C-41.

AHUdaylightcinematic
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ECN2

Reflx Lab 500T

ISO 500

REFLX LAB 500T is a 120/220-format ECN-2 color negative film respooled from Kodak Vision3 5219 (500T) motion picture stock. Tungsten-balanced (3200K) at ISO 500, rem-jet retained, ECN-2 required. Ideal for low-light indoor/studio work and cinematic medium-format photography.

tungstencinematicECN-2-only
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ECN2

Reflx Lab 50D

ISO 50

REFLX LAB 50D is a 120-format ECN-2 color negative film respooled from Kodak Vision3 5203 (50D) motion picture stock. Daylight-balanced (5500K) at ISO 50, rem-jet retained, ECN-2 required. Known for the world's finest grain in a cinema emulsion and exceptional sharpness.

ultra-fine-graindaylightECN-2-only
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ECN2

Reflx Lab F-64D

ISO 50

REFLX LAB F-64D is an ISO 50 ECN-2 color negative film in 135 format, respooled from well-preserved Fujifilm F-64D motion picture stock (discontinued 2013). Daylight-balanced (5500K), rem-jet retained, ECN-2 required. Same emulsion used in The King's Speech.

daylightfuji-paletteECN-2-only
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