Cinema film stocks

FilmNeverDie SUIBO 500T is an ISO 500 tungsten-balanced ECN-2 cine film in 135 format, widely identified as respooled Kodak Vision3 500T, delivering cinematic quality with cool blue tones and high sensitivity for artificial light and low-light shooting.

Flic Film Cine Colour 50D is Kodak Vision3 5203 respooled into 135-format cartridges for ECN-2 processing, with remjet layer intact.

Flic Film Cine Colour 200T is Kodak Vision3 200T respooled into 135-format cartridges for ECN-2 processing, with remjet layer intact.

Flic Film Cine Colour 250D is Kodak Vision3 5207 (250D) respooled into 135-format cartridges for ECN-2 processing, with remjet layer intact.

Flic Film Cine Colour 500T is Kodak Vision3 5219 (500T) respooled into 135-format cartridges for ECN-2 processing, with remjet layer intact.

Kodak 5294 (Vision E100D) is a discontinued ISO 100 daylight-balanced ECN-2 colour negative cine film, originally introduced for motion picture use requiring fine grain and accurate daylight rendering. It was discontinued in the early 2000s as the Vision2 and Vision3 families superseded it.

Kodak Vision3 250D is a daylight-balanced motion picture color negative film adapted by many still photographers for ECN-2 processing.

Kodak Vision3 500T is a tungsten-balanced high-speed motion picture color negative film used for low-light and cinematic still photography.

Kodak Vision3 5203 50D is a daylight-balanced ISO 50 professional colour negative motion picture film, the slowest stock in the Vision3 family, offering ultra-fine grain, extraordinary colour accuracy, and exceptional latitude for brightly lit exterior and studio cinematography.

Kodak Vision3 5213 200T is a tungsten-balanced ISO 200 professional colour negative motion picture film offering fine grain, wide dynamic range, and natural indoor/tungsten-light colour rendering — a versatile mid-speed cine stock for mixed and controlled lighting.

REFLX LAB 200T is a 120-format ECN-2 color negative film respooled from Kodak Vision3 5213 (200T) motion picture stock. Tungsten-balanced (3200K) at ISO 200, it retains its rem-jet layer and requires ECN-2 processing. Suited for indoor/artificial light and cinematic daylight work.

REFLX LAB 320D is an ISO 320 C-41 color negative film in 135 format, respooled from Kodak Vision3 5207 250D with the new AHU (anti-halation undercoat) layer. The AHU eliminates rem-jet while retaining halation control, scratch resistance, and static protection. Best rated at ISO 320 in C-41.

REFLX LAB 500T is a 120/220-format ECN-2 color negative film respooled from Kodak Vision3 5219 (500T) motion picture stock. Tungsten-balanced (3200K) at ISO 500, rem-jet retained, ECN-2 required. Ideal for low-light indoor/studio work and cinematic medium-format photography.

REFLX LAB 50D is a 120-format ECN-2 color negative film respooled from Kodak Vision3 5203 (50D) motion picture stock. Daylight-balanced (5500K) at ISO 50, rem-jet retained, ECN-2 required. Known for the world's finest grain in a cinema emulsion and exceptional sharpness.

REFLX LAB F-64D is an ISO 50 ECN-2 color negative film in 135 format, respooled from well-preserved Fujifilm F-64D motion picture stock (discontinued 2013). Daylight-balanced (5500K), rem-jet retained, ECN-2 required. Same emulsion used in The King's Speech.