C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Konica Autoreflex T (1968) is the second Konica AR-mount SLR and the first to carry the "Autoreflex T" designation, distinguishing it from the original Auto-Reflex (1965). Where the Auto-Reflex was notable for its half-frame/full-frame switching mechanism, the Autoreflex T focused the feature set on autoexposure: a TTL CdS centre-weighted metering system coupled to shutter-priority automatic exposure. The photographer sets the shutter speed; the camera selects the corresponding aperture via a coupling between the meter and the AR-mount's automatic aperture mechanism.
Reference
Recommended film stocks for the 35mm format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
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About this camera
The camera that established shutter-priority TTL autoexposure in the Konica AR-mount SLR line.
| Field | Value |
|---|
| Format | 35mm |
| Mount | Konica AR bayonet |
| Years | ~1968–1970 |
| Shutter | 1s – 1/1000s + B, horizontal cloth focal plane |
| Flash sync | ~1/60s |
| Meter | TTL CdS centre-weighted |
| Modes | Shutter-priority auto / Manual |
| Viewfinder | Pentaprism |
| Battery | 1x PX625 mercury (required) |
| Mechanical fallback | None |
Konica (Konishiroku) launched the original Auto-Reflex in 1965 as the AR mount's debut, featuring half/full-frame switching. The Autoreflex T (1968) dropped the half-frame mechanism to deliver a cleaner full-frame body with TTL shutter-priority autoexposure - the defining characteristic of the entire subsequent Autoreflex T line. The shutter-priority paradigm was Konica's deliberate design choice; contemporaries like the Pentax Spotmatic offered match-needle manual metering, and the Minolta SRT-101 (1966) provided similar TTL metering but required manual aperture selection. Konica's auto-aperture coupling was among the earlier practical TTL shutter-priority implementations in a Japanese SLR.
The Autoreflex T was produced for roughly two years before being updated through internal variants leading to the T3 (1973). The T3 refined the shutter mechanism to a vertical metal design and improved durability. The TC (1976) further simplified the body for a budget market. The original Autoreflex T is now the rarest and least commonly seen Konica SLR body in used markets.
The Autoreflex T is the origin of the Konica shutter-priority AE system that would run through the TC, T3, and T4 bodies. Its significance is primarily historical: it established the operational model - set the shutter speed, let the camera work the aperture - that Konica would refine and maintain until the FT-1 (1983) shifted the line to aperture-priority.
For collectors, the Autoreflex T represents the first practical realisation of the "Autoreflex" concept after the engineering experiment of the original Auto-Reflex. Bodies in working condition are less common than T3 or TC examples and command a modest premium accordingly.
The AR-mount Hexanon lenses - all compatible - are the main draw for practical shooters. The 52mm f/1.8 kit lens that often accompanies T-series bodies is a capable performer; the 57mm f/1.4 and 57mm f/1.2 fast primes stand as the optical highlights of the system.
Full Konica AR mount compatibility. All Hexanon AR lenses produced 1965 onwards will fit and couple for shutter-priority AE. Key lenses for the T body era:
Konica AR lenses are adaptable to Sony E, Micro Four Thirds, and Fuji X mounts with passive adapters.
C41
Fujifilm Superia X-TRA 400 (marketed as Superia 400 in some regions) is an ISO 400 C-41 consumer color negative film in 135 format, one of Fujifilm's most popular consumer films. It delivers warm, vibrant colors with moderate grain and remains in production in some markets.
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Ilford HP5 Plus is a flexible ISO 400 black-and-white film with classic grain and strong push-processing tolerance.
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Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
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