C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Konica T2 (marketed in some markets as the Autoreflex T2, ~1972) is the second-generation Konica AR-mount SLR with shutter-priority TTL autoexposure, refining the original Autoreflex T (1968) without changing its fundamental operational character. The T2 carries over the shutter-priority AE system - photographer selects shutter speed, the camera couples through the AR mount to set aperture automatically via a stop-down metering mechanism - and pairs it with a brighter pentaprism viewfinder, the chief ergonomic improvement over its predecessor.
Reference
Recommended film stocks for the 35mm format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
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Labs in our directory that process 35mm film.
Before you buy used
About this camera
The transitional Konica shutter-priority SLR - brighter finder, improved flash sync, same AR mount.
| Field | Value |
|---|
| Format | 35mm |
| Mount | Konica AR (bayonet) |
| Years | ~1972 |
| Shutter | 1s - 1/1000s + B, horizontal cloth focal-plane |
| Flash sync | ~1/125s |
| Meter | TTL CdS center-weighted (stop-down) |
| Modes | Shutter-priority AE, manual |
| ISO range | 25-1600 |
| Battery | 1x PX625 mercury (required) |
| Mechanical fallback | None |
Konica launched the Autoreflex T in 1968 as one of the earliest production Japanese SLRs with genuine TTL shutter-priority autoexposure. The T2 followed as a refinement, addressing the original's relatively dim viewfinder and pushing the flash sync speed to accommodate more practical flash work. The improvements were incremental rather than architectural: the shutter-priority philosophy, the AR mount coupling, and the CdS metering circuit all carried forward essentially unchanged.
In 1973 the T3 arrived with a significant mechanical upgrade - replacing the cloth shutter with a vertical metal shutter, and improving build quality and metering. The T3 became the most celebrated Konica AR-mount SLR body; the T2 is today somewhat overlooked because of it. Production numbers are not well documented in English-language sources.
The T2 represents the midpoint of Konica's commitment to shutter-priority automation through an era when most Japanese SLR makers either offered manual-only metering or were beginning to explore aperture-priority designs. Shutter-priority suited photojournalists and action photographers who needed predictable motion control; Konica's TTL implementation was technically comparable to what Canon and Nikon would not deliver until later in the decade.
The brighter finder of the T2 over the T is meaningful for photographers pairing the body with faster Hexanon lenses in dim light. The AR mount's generous register distance makes AR lenses straightforwardly adaptable to Sony E, Fuji X, and Micro Four Thirds via passive adapters - a quality that has sustained collector and shooter interest in the system long after Konica ceased camera production.
The T2 is less sought after than the T3 and correspondingly less expensive on the used market, making it an accessible entry point to the Konica AR system for shooters who don't require the T3's metal shutter.
Full Konica AR mount compatibility. All Hexanon AR lenses fit and couple for shutter-priority AE:
AR lenses adapt to Sony E, Fuji X, and Micro Four Thirds with passive adapters; autofocus and autoexposure are not available on adapted use.
BW
Ilford HP5 Plus is a flexible ISO 400 black-and-white film with classic grain and strong push-processing tolerance.
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Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
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