C41
Kodak Portra 160
Kodak Portra 160 is a professional C-41 color negative film with fine grain, soft contrast, and natural color.
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The Chamonix 45F-2 is a 4x5-inch folding field camera produced by Chamonix Camera Company in Xi'an, China, introduced around 2007. It is constructed primarily from carbon-fiber panels and solid teak wood, with titanium hardware, making it among the lightest production 4x5 field cameras available at the time of its introduction. The design follows the traditional wooden field camera format - folding flat for transport, opening into a camera with full front and rear movements - but replaces the conventional mahogany or cherry wood of Japanese and American predecessors with carbon fiber for the main panels.
Reference
Recommended film stocks for the 4x5 format your camera takes.
C41
Kodak Portra 160 is a professional C-41 color negative film with fine grain, soft contrast, and natural color.
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Ilford HP5 Plus is a flexible ISO 400 black-and-white film with classic grain and strong push-processing tolerance.
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Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Before you buy used
About this camera
A lightweight Chinese-made carbon-fiber and teak 4x5 field camera that brought modern materials to a traditional format.
| Field | Value |
|---|
| Format | 4x5 in (standard double-dark holders, Grafmatic, roll-film backs) |
| Mount | Chamonix lensboard (~96mm square, not Linhof-compatible) |
| Years | ~2007 - present |
| Movements | Front: rise, fall, shift, tilt, swing; Rear: tilt, swing |
| Bellows | ~350mm maximum extension (standard); ~400mm with extension |
| Build | Carbon-fiber panels, teak wood, titanium hardware |
| Weight | ~850g (unverified) |
| Battery | None |
Chamonix Camera Company was founded in Xi'an, China in the mid-2000s by a small team of craftspeople seeking to produce high-quality large-format field cameras at a lower price point than Japanese competitors such as Ebony and Toyo. The 45F-2 was one of the company's early production models, designed to compete directly with the Wista SP and Tachihara field cameras on price while offering comparable or superior build quality.
The use of carbon fiber was the defining material choice. Where older field cameras used solid hardwood throughout, the Chamonix replaces structural panels with carbon-fiber composites, retaining wood only where it contributes to aesthetics or where machining wood is more practical than fabricating composite forms. The result is a camera that weighs substantially less than a comparable all-wood design while matching its rigidity under bellows tension.
Chamonix subsequently expanded its range to include 5x7 and 8x10 models, and continued refining the 45 line. The company developed a reputation in the Western large-format community through online forums, where users noted the finish quality relative to price.
The Chamonix 45F-2 demonstrated that high-quality large-format field cameras could be manufactured in China at competitive prices without sacrificing material standards or movement precision. It entered a market that had been dominated by Japanese makers (Ebony, Wista, Tachihara, Toyo) at various price points and established a new lower tier combining modern materials with traditional design.
For photographers concerned about pack weight on extended field work - hiking, backcountry, or travel - the sub-kilogram body weight is a meaningful practical advantage over heavier metal or all-wood alternatives. The Chamonix is often cited in backpacking photography contexts alongside the Intrepid MK4 as a lightweight 4x5 option.
The camera also introduced many photographers to 4x5 who might otherwise have found entry-level all-wood cameras (Tachihara) or heavier Japanese technical cameras (Wista 45) less appealing for their intended use.
The Chamonix 45F-2 uses Chamonix's own lensboard standard, which is not directly compatible with Linhof Technika boards. Adapters to Linhof-format boards exist as third-party accessories.
BW
Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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