C41
LOMO Negative 400
Lomography Color Negative 400 is a versatile ISO 400 C-41 color negative film with vivid, saturated colors, believed to be a Kodak Alaris-manufactured emulsion, available in 35mm and 120 formats.
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The Lomography LC-A 120 (2017–present) is a medium-format adaptation of the LC-A concept, shooting 6×6 cm square frames on 120 roll film. It uses a fixed Minigon 38mm f/4.5 lens (equivalent to approximately 24mm in full-frame terms — genuinely wide for a medium-format camera), a CdS programmed AE system, and zone focus with three marked distances.
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C41
Lomography Color Negative 400 is a versatile ISO 400 C-41 color negative film with vivid, saturated colors, believed to be a Kodak Alaris-manufactured emulsion, available in 35mm and 120 formats.
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Lomography Color Negative 800 is a high-speed ISO 800 C-41 color negative film widely suspected to be a Kodak-manufactured emulsion, delivering vibrant colors and adequate grain for challenging lighting conditions.
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About this camera
The LC-A concept scaled to medium format. The LC-A 120 brings the zone-focus, program-AE philosophy of the classic Soviet compact to 120 film — producing 6×6 cm square frames with the signature Lomography vignetting and color rendition.
| Field | Value |
|---|
| Format | 120 film, 6×6 cm (12 exp per roll) |
| Lens | Minigon 38mm f/4.5 |
| Mount | Fixed |
| Years | 2017–present |
| Shutter | Programmed AE, ~1/500s – 8s |
| Metering | CdS automatic |
| Focus | Zone focus (0.8m / 1.5m / infinity) |
| ISO | ~100–400 |
| Weight | ~420 g |
| Battery | 4× AA |
Lomography launched the LC-A 120 via a successful crowdfunding campaign in 2016, shipping production units in 2017. It followed earlier medium-format experiments in the Lomography catalogue (the Holga 120N, Diana F+, and Belair X 6-12) but was the first LC-A–family camera in medium format. The project required developing a new Minigon 38mm lens suitable for the 6×6 format coverage circle.
The LC-A 120 was positioned as a "serious" Lomography product — higher price, larger format, greater image quality — while retaining the accessible, zone-focus, no-manual-settings approach of the original LC-A.
Medium-format film produces significantly more detail and tonality than 35mm, and the square 6×6 format imposes a compositional discipline that many photographers find liberating. The LC-A 120 makes 120-format photography accessible without the complexity of a twin-lens reflex or folding camera — there is no coupled rangefinder to calibrate, no film loading ritual involving 120-spool paper leaders.
The 38mm lens on 6×6 provides a very wide angle of view, different from the normal-to-slightly-wide 50–80mm standard lenses on most 120 cameras. The characteristic vignetting and color shifts of the Minigon on large-format film produce distinctive results unavailable from conventional medium-format cameras.
Fixed Minigon 38mm f/4.5, non-interchangeable. No filter thread. Compatible with standard 120 roll film (Kodak Portra, Ilford HP5, Fuji Pro 400H, etc.). Lomography flash accessories connect via the cold shoe. No interchangeable backs.
Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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