C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Bronica ETRS Pro is a variant of the ETRS, Bronica's 645-format (6x4.5cm) modular SLR introduced in 1978 as a successor to the ETR. The Pro designation indicates a refinement package aimed at professional use, likely incorporating improved sealing, enhanced viewfinder compatibility, or upgraded control layout over the standard ETRS.
Reference
Recommended film stocks for the — format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Portra 160 is a professional C-41 color negative film with fine grain, soft contrast, and natural color.
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Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
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About this camera
A professional-grade refinement of the Bronica ETRS 645 SLR, introduced around 1985 with improved controls and build quality targeting working photographers.
| Field | Value |
|---|
| Format | 120 film, 6x4.5cm (~15 exp per roll) |
| Mount | Bronica ETR |
| Shutter | Leaf (in lens): 8s - 1/500s + B |
| Flash sync | 1/500s (all speeds) |
| Meter | Via metered viewfinder accessory |
| Exposure modes | Manual, aperture-priority (with AE finder) |
| ISO range | 25 - ~ |
| Film advance | Motor drive integrated (battery-powered) |
| Film backs | Interchangeable (120, 220, Polaroid) |
| Viewfinder | Interchangeable (WLF, AE prism finders) |
| Battery | ~4x AA (in body) |
| Battery required | Yes - motor drive is integral |
| Year | ~1985 |
The ETR system launched in 1976 as Bronica's 645-format product. The ETRC followed, then the ETR-S added a motor drive integrated into the body rather than as a separate accessory. The ETRS refined the ETR-S further. The ETRS Pro, if introduced around 1985, would sit between the standard ETRS and the ETRS Plus (a separate variant with winder enhancements) in the ETR model chronology. The line concluded with the ETRSi in 1988, which remained in production until Tamron closed the Bronica brand in 2004.
The mid-1980s were a competitive period for 645 medium-format cameras. Mamiya had introduced the M645 line, and Hasselblad's 500-series dominated the 6x6 segment. Bronica positioned the ETR system as a more affordable professional 645 option, with the Pro variant presumably intended to address professional photographers who found the standard ETRS insufficiently specified for demanding work.
The ETRS Pro occupies an intermediate position in the ETR system lineage. For collectors, it represents a less common variant of a well-supported system. For working film photographers, the distinction between the ETRS Pro and the standard ETRS or ETRS Plus is likely marginal; the ETRSi (1988 onward) represents the most practical entry point into the ETR system given its wider parts availability and documentation.
The ETR system as a whole matters for its leaf-shutter architecture, which provides full flash sync at any speed - a practical advantage for location and studio flash work. The 645 format yields significantly larger negatives than 35mm while keeping the camera more portable than 6x6 or 6x7 systems. Zenzanon lenses are optically well-regarded and represent good value relative to comparable Hasselblad or Rollei glass.
The ETRS Pro accepts all Bronica ETR-mount lenses available at the time. Notable optics from the mid-1980s period:
The later PE-series lenses (introduced with the ETRSi) are also compatible with the ETR mount. Accessories include:
BW
Ilford HP5 Plus is a flexible ISO 400 black-and-white film with classic grain and strong push-processing tolerance.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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