C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Pentax SF10 is a 1988 autofocus SLR and the direct successor to the SF1 (SF7/SFX), introduced one year after the KAF mount's debut to address criticisms of the first-generation body. The SF10 retains the same fundamental architecture: polycarbonate construction, single-point phase-detection autofocus, KAF mount, full PASM exposure modes, and integrated pop-up flash. The primary engineering change is an improved flash sync speed of 1/125s versus the SF1's 1/100s, a modest but real improvement for fill-flash shooting in daylight. Handling ergonomics were reportedly refined with minor grip and control layout changes.
Reference
Recommended film stocks for the 35mm format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
Develop 35mm film
Labs in our directory that process 35mm film.
Before you buy used
About this camera
A refined second-generation KAF autofocus SLR: the SF1's successor with an improved flash sync speed and handling refinements.
| Field | Value |
|---|
| Format | 35mm |
| Mount | Pentax KAF |
| Years | 1988–~1993 |
| Shutter | 30s – 1/2000s, electronic vertical cloth |
| Flash sync | 1/125s |
| Meter | TTL center-weighted SPD |
| AF | Single-point |
| Modes | P, A, S, M |
| Built-in flash | Yes - pop-up |
| ISO range | 6–6400 |
| Weight | ~660 g |
| Battery | 1× 2CR5 |
Pentax released the SF10 in 1988, twelve months after the SF1 had established the KAF mount and introduced the built-in-flash SLR concept. The short product cycle reflected competitive pressure from Canon's EOS system (launched 1987 with the EOS 650) and the mature Minolta MAXXUM line. Canon's EOS mount introduced a fully electronic, motorized lens mount that outperformed the KAF system's modified K-mount approach in AF speed; Pentax's response over the following years was iterative refinement rather than a wholesale mount redesign.
The SF10 represented that first iteration: close enough to the SF1 to share most components but differentiated enough to justify a model change in retail channels. The flash sync improvement to 1/125s was the most substantive specification change. The SF10's production life ran approximately to 1993, overlapping briefly with the introduction of the PZ-1 (1991), which brought a substantially faster and more sophisticated AF system to the KAF mount and effectively repositioned the SF10 as the entry-level KAF body for its final retail years.
The SF10 occupies the middle position in Pentax's early AF SLR history - between the historically significant SF1 that established the KAF mount and the substantially more capable PZ-1 that demonstrated what the mount could achieve with better electronics. The SF10 itself is not historically significant in isolation; its importance is contextual, as evidence that Pentax committed to iterative development of the KAF platform rather than treating the SF1 as a one-off.
For contemporary film shooters the SF10 and SF1 are broadly interchangeable. The 1/125s sync speed gives the SF10 a slight practical advantage for daylight fill-flash. Both cameras offer full compatibility with the large body of Pentax KAF, KAF2, K, and KA lenses. Neither is a first-choice body relative to the PZ-1 or the MZ-series that followed, but both are inexpensive entry points to the Pentax KAF lens ecosystem.
The Pentax KAF mount on the SF10 accepts the same lens range as the SF1:
BW
Ilford HP5 Plus is a flexible ISO 400 black-and-white film with classic grain and strong push-processing tolerance.
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Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
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