C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The KW Pentina FM (~1963) is a 35mm single-lens reflex camera produced by VEB Pentacon in Dresden, East Germany, and represents the most developed version of the short-lived Pentina series. The 'FM' designation stands for the combination of features defining this model: a full-range coupled selenium meter driving automatic exposure, and a complete manual override allowing the photographer to set aperture and shutter independently. It is the third and final camera in the Pentina line, following the original Pentina (1961) and the Pentina M (1962).
Reference
Recommended film stocks for the 35mm format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
View profile →BW
Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
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Before you buy used
About this camera
East Germany's leaf-shutter SLR at its most refined: full manual control, selenium automation, and flash sync at any speed, in the final iteration of the Pentina line.
| Field | Value |
|---|
| Format | 35mm (24x36 mm) |
| Mount | Pentina bayonet (leaf-shutter-in-lens, proprietary) |
| Introduced | ~1963 |
| Shutter | Leaf (in lens): 1s - 1/500s + B |
| Flash sync | 1/500s at all speeds |
| Meter | Selenium, coupled AE |
| Exposure | Auto (selenium AE) and full manual |
| Viewfinder | Pentaprism, split-prism |
| Focus | Manual |
| Battery | None required |
VEB Pentacon introduced the original Pentina in 1961, positioning it as East Germany's entry in the international leaf-shutter-SLR segment then occupied by the Zeiss Ikon Contaflex, Voigtlander Bessamatic, and Kodak Retina Reflex in West Germany. The Pentina's automatic-aperture system was its primary selling point, but the lack of full manual control was recognised as a limitation from the outset.
The Pentina M, introduced around 1962, addressed this by adding manual exposure modes to the automatic-only original. The Pentina FM followed approximately a year later, representing the final engineering iteration of the series: a more comprehensive manual implementation, potentially with improved meter coupling and shutter speed accuracy.
By the time the FM appeared, the leaf-shutter SLR format was in global decline. The Contaflex, Bessamatic, and Retina Reflex had all peaked commercially; the focal-plane Nikon F (1959) and the growing Praktica M42 ecosystem had established that focal-plane shutters, combined with broad lens compatibility, were the direction the market was taking. VEB Pentacon did not introduce a fourth Pentina variant. Engineering resources were redirected to the Praktica B-mount project, which would eventually yield the BC1 in 1979.
The Pentina FM is among the rarest East German cameras to survive in working condition, produced in small quantities during a brief window at the end of the Pentina series.
The Pentina FM is significant as the definitive realisation of East Germany's only leaf-shutter SLR concept. The three-camera Pentina progression - from auto-only to manual-added to manual-refined - mirrors the evolution of the Western leaf-shutter SLRs it competed with, each generation responding to feedback about the limitations of the previous. In this respect, the FM demonstrates that VEB Pentacon's engineers were engaged in the same iterative process as their West German counterparts.
For historians of the East German optical industry, the Pentina FM illustrates both the engineering ambition of VEB Pentacon and the commercial constraints that the proprietary mount imposed. The camera is technically the equal of the Contaflex or Bessamatic in most respects - and superior in its seamless flash synchronisation - but the narrow lens ecosystem made it commercially uncompetitive.
For contemporary collectors, the FM is the most desirable Pentina variant: rarer than either earlier model, more capable in manual use, and equally possessed of the design quality that characterises all Pentina cameras. A working example with a functional selenium cell and serviceable shutter represents genuine photographic usability alongside its historical interest.
The Pentina FM uses the Pentina bayonet, shared with the original Pentina and Pentina M. Lenses are integrated leaf-shutter units; the shutter speeds are in the lens, not the body. Known lenses in the Pentina mount:
The mount is not compatible with M42 screw-mount lenses or any other interchangeable-lens system without significant mechanical modification. A complete Pentina FM kit with more than the standard 50mm lens is rare and commands a collector premium. Flash synchronisation at 1/500s applies to all native lenses - a genuine and practical advantage over contemporary focal-plane cameras for studio and indoor flash work.
BW
Ilford HP5 Plus is a flexible ISO 400 black-and-white film with classic grain and strong push-processing tolerance.
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Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
View profile →KW Pentina FM
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