C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Plaubel Makina 67W (sometimes written W67) is a Japanese-built medium-format folding camera produced under the Plaubel name following the brand's acquisition by the Doi Group of Japan. Introduced in 1981 -- two years after the original Plaubel Makina 67 -- the 67W is a dedicated wide-angle variant fitted with a fixed Nikon Nikkor 55mm f/4.5 lens rather than the standard model's Nikkor 80mm f/2.8. It produces 10 exposures per roll in the 6x7cm format on 120 film.
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Recommended film stocks for the — format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Portra 160 is a professional C-41 color negative film with fine grain, soft contrast, and natural color.
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Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
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About this camera
The wide-angle companion to the Makina 67 -- a 6x7 folding rangefinder with a Nikkor 55mm f/4.5 lens, introduced in 1981.
| Field | Value |
|---|
| Format | 120, 6x7cm (10 exp per roll) |
| Lens | Nikon Nikkor 55mm f/4.5 (fixed) |
| Equivalent (35mm) | ~28mm |
| Years | 1981 – c. late 1980s |
| Shutter | Seiko leaf: 4s – 1/500s + B |
| Flash sync | 1/500s (all speeds, leaf shutter) |
| Meter | Center-weighted silicon cell |
| Exposure modes | Manual, Aperture-priority |
| Battery | 4x LR44 / SR44 |
| Viewfinder | Optical direct with coupled rangefinder |
| Focus | Strut-bellows extension with rangefinder coupling |
When the Doi Group relaunched the Plaubel brand in the late 1970s, their goal was a high-quality folding medium-format camera that would revive the German Makina's reputation for compactness and optical quality -- but built to Japanese industrial standards and using Japanese glass. The Plaubel Makina 67 debuted in 1979, carrying a Nikon-supplied Nikkor 80mm f/2.8 lens and quickly earning a devoted following among photographers who wanted 6x7 negatives without the bulk of a Mamiya RB67 or Pentax 6x7.
The 67W followed in 1981 as a wide-angle companion. Where the standard Makina 67's 80mm lens is a moderate telephoto on the 6x7 frame (equivalent to roughly 40mm on 35mm), the 55mm of the 67W provides a wide-angle view equivalent to approximately 28mm -- useful for environmental portraiture, architectural work, and landscape photography where more context is desired.
The 67W remained in limited production through the 1980s alongside the standard 67. Later variants of the standard model, including the Makina 67CB (a black edition ), were produced but the 67W did not receive equivalent variant treatment in most documented sources.
The Makina 67W occupies an unusual position: a wide-angle coupled-rangefinder medium-format folder. The Mamiya 7 system (with its 43mm and 50mm lenses) is the closest modern analogue, but the Mamiya 7 is not a folder and arrived a decade later. In 1981, the 67W was nearly alone in offering a 28mm-equivalent field of view, 6x7 negative, coupled rangefinder, and a camera that could be pocketed.
The Nikkor 55/4.5 is a purpose-designed lens for the camera, corrected for the 6x7 format with attention to edge sharpness -- critical for architectural and landscape use where wide-angle lenses often falter at the corners of large negatives. Wide-open performance is adequate for general use; stopped to f/8 or f/11 the lens performs across the full 6x7 frame.
The combination of aperture-priority automation and leaf-shutter flash sync at all speeds (including 1/500s) made the 67W practical for fill-flash work in challenging light -- something that focal-plane-shutter cameras could not match.
The lens is fixed and non-interchangeable. Accessories include:
BW
Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
View profile →Plaubel Makina 67W
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