Mamiya Universal1969

History

The "Universal" naming was Mamiya's US-market simplification of the Press Super 23. Same camera mechanically, refined cosmetically. Production ended 1976 alongside the rest of the Mamiya Press line as the RB67 took over the modular medium-format niche. The Polaroid pack-film back was particularly important — Universal bodies were used for Polaroid art in the 70s and 80s by Andy Warhol and Ansel Adams (both used Polaroid backs on Mamiya Universals).

Why It Matters

The Universal is the Mamiya Press most photographers want today, partly because of the Polaroid back compatibility (modern recreated pack film is available from One Instant and similar boutique manufacturers; the Universal's Polaroid back is the easiest way to shoot it). For 6×9 negatives on roll film, it's identical to the Press Super 23.

For 2026 buyers, used Universal bodies run $500–1,100 with one lens. The Polaroid back is sold separately and commands $200–400 on its own.

Lenses & Accessories

Mamiya Press / Universal lenses: 50/6.3, 65/6.3, 75/5.6, 90/3.5, 100/3.5, 150/5.6, 250/5. Backs: 6×9, 6×7, 6×4.5, Polaroid pack film, ground-glass.

Sample Photographers / Notable Use

• Andy Warhol — Polaroid pack film on Universal for portraits.
• Ansel Adams — Polaroid back collaborations with Polaroid Corp.
• Standard 70s American press / commercial body.

References

• Camera-Wiki: Mamiya Universal
• Wikipedia: Mamiya Press