C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Pentax 67 II (1998) is the final iteration of the 67 line. It modernizes the electronics: 6-segment matrix metering through the AE prism, aperture-priority autoexposure (a first for the 67 line — earlier bodies were manual only), redesigned grip with built-in handle, and CR123A batteries replacing the older 6V silver-oxide format. The mechanical core is unchanged: focal-plane cloth shutter to 1/1000s, 1/30s flash sync, mirror lock-up, no rotating back (you turn the camera).
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C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Portra 160 is a professional C-41 color negative film with fine grain, soft contrast, and natural color.
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Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
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About this camera
The 67's electronic-era refresh. Aperture priority, 6-segment matrix meter, redesigned grip — and the body Tyler Mitchell shot Beyoncé's Vogue cover on.
| Field | Value |
|---|
| Format | 120 / 220, 6×7 cm |
| Mount | Pentax 6×7 (bayonet) |
| Years | 1998–2009 |
| Shutter | 30s – 1/1000s, focal-plane cloth |
| Flash sync | 1/30s |
| Meter | TTL via prism: 6-segment matrix or center-weighted |
| Modes | Manual, aperture priority |
| Weight | 1,660 g (with 105mm) |
| Battery | 2× CR123A (or 4× AA in MG-1 grip) |
Released 1998 as the modernized 67 successor. Production ran 11 years until 2009 — the final 6×7 SLR ever made. After 2009, Pentax shifted entirely to medium-format digital with the 645D. The 67 II's matrix-meter prism is interchangeable with the simpler TTL prism and waist-level finder.
The 67 II is the body most modern fashion photographers reach for when they want hand-holdable 6×7. Tyler Mitchell shot Beyoncé's Vogue September 2018 cover on a 67 II — the first Black photographer to shoot a Vogue cover, on a Pentax 67 II that became visibly synonymous with the new fashion aesthetic. Petra Collins, Tyler Mitchell, and the post-2015 fashion crowd treat the 67 II as the canonical body.
For 2026 buyers, the 67 II is significantly more expensive than the original 67 — clean bodies run $3,000+ — partly because of fashion association, partly because aperture priority is a real workflow improvement.
Pentax 67 mount: SMC Pentax 67 lenses (most common), older Takumar 6×7 lenses. The legendary 105/2.4 SMC. Other key lenses: 75/2.8 SMC, 45/4, 165/2.8, 200/4. AE prism, TTL meter prism, waist-level finder, magnifying chimney finder. MG-1 motor drive grip.
E6
Fujifilm Fujichrome Velvia 50 (RVP 50) is the legendary professional E6 reversal slide film at ISO 50 that defined landscape and nature photography for a generation. Characterized by extreme saturation, deep contrast, and ultra-fine grain, it remains in active production as of 2026.
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Ilford HP5 Plus is a flexible ISO 400 black-and-white film with classic grain and strong push-processing tolerance.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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