C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
View profileMedium Format Rangefinder
The Mamiya 6 MF (~1993) is a refinement of the original Mamiya 6 (1989), adding a built-in multi-format masking system that allows the photographer to select between three frame sizes: standard 6x6 cm, 6x4.5 cm (645), and a 35mm-style panoramic crop (~6x4.5 in width but masked top and bottom). The MF variant retains the core Mamiya 6 architecture: an optical rangefinder body with collapsible interchangeable Mamiya 6-mount lenses, in-lens electronic Seiko leaf shutters, aperture-priority and manual exposure, and centre-weighted TTL metering.
Reference
Recommended film stocks for the — format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
View profileC41
Kodak Portra 160 is a professional C-41 color negative film with fine grain, soft contrast, and natural color.
View profileC41
Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
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Before you buy used
About this camera
The Mamiya 6 refined: a multi-format 120-film rangefinder that crops natively to 6x6, 6x4.5, or 35mm panoramic in-camera.
| Field | Value |
|---|
| Format | 120 film; 6x6 cm / 6x4.5 cm / ~panoramic (selectable mask) |
| Mount | Mamiya 6 bayonet (collapsible) |
| Years | ~1993 – mid-1990s |
| Shutter | 4s – 1/500s + B, Seiko electronic leaf, in each lens |
| Flash sync | 1/500s (all speeds) |
| Meter | Centre-weighted TTL, silicon cell |
| Modes | Aperture priority, manual |
| Focus | Coupled rangefinder |
| Weight | ~ (~490 g body) |
| Battery | 2x CR2 (required) |
Mamiya introduced the original Mamiya 6 in 1989 as a modern medium-format rangefinder system — the first truly new camera of this type in decades, designed from the ground up for the 120 format with interchangeable collapsible lenses. The system included three Mamiya 6-mount lenses: 50mm f/4, 75mm f/3.5, and 150mm f/4.5. The 6 MF followed around 1993, adding the in-camera multi-format masking feature as the primary distinguishing upgrade.
Mamiya subsequently developed the Mamiya 7 (1995), which extended the concept to 6x7 format with a new, non-collapsible lens mount. The Mamiya 7 and 7 II superseded the Mamiya 6 system in the market, and Mamiya 6 production wound down in the mid-1990s. The three Mamiya 6 lenses are not interchangeable with Mamiya 7 bodies.
The Mamiya 6 MF offers an unusual combination of compact body size, sharp interchangeable lenses, full leaf-shutter flash sync, and rangefinder precision that no other production camera has replicated at this format. The multi-format masking system lets a single camera and roll of film produce 6x6 square frames, 645-proportion frames for portrait-orientation use, or wide panoramic crops - useful for photographers whose work spans multiple output formats.
For 2026 buyers, the Mamiya 6 MF commands a premium over the original Mamiya 6 body on the used market, driven by the multi-format feature and its rarity relative to the standard model. The lens system (50/75/150) is shared with original Mamiya 6 bodies, so used lenses are relatively accessible. The primary limitation of the entire Mamiya 6 platform is its three-lens system: there is no ultrawide, no macro, and no telephoto beyond 150mm.
The 6x6 square format combined with the rangefinder's quiet, vibration-free Seiko leaf shutter made the Mamiya 6 family a favoured street and travel camera for photographers who needed medium-format quality with manageable bulk.
Mamiya 6 bayonet mount (collapsing design). Three lenses: 50mm f/4 L (wide, equivalent ~28mm in 35mm terms on 6x6), 75mm f/3.5 L (standard, equivalent ~42mm), 150mm f/4.5 L (short telephoto, equivalent ~84mm). All collapse into the body for transport. No other focal lengths were produced for this mount.
Accessories: dedicated lens hoods for each focal length (important given collapsible design), Mamiya 6 cable release, filter adapters. The multi-format mask is a built-in body feature; no external accessories required.
E6
Fujifilm Fujichrome Provia 100F (RDPIII) is a professional E6 reversal (slide) film in 135 and 120 formats, known for its natural, balanced color reproduction, very fine grain, and moderate saturation. It remains in production as of 2026 and is one of the last professional slide films available.
View profileBW
Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
View profileMamiya 6 MF
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