C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
View profile →rangefinder-medium-format
The Mamiya 6 MF (~1993) is a refinement of the original Mamiya 6 (1989), adding a built-in multi-format masking system that allows the photographer to select between three frame sizes: standard 6x6 cm, 6x4.5 cm (645), and a 35mm-style panoramic crop (~6x4.5 in width but masked top and bottom). The MF variant retains the core Mamiya 6 architecture: an optical rangefinder body with collapsible interchangeable Mamiya 6-mount lenses, in-lens electronic Seiko leaf shutters, aperture-priority and manual exposure, and centre-weighted TTL metering.
Reference
Recommended film stocks for the — format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
View profile →C41
Kodak Portra 160 is a professional C-41 color negative film with fine grain, soft contrast, and natural color.
View profile →C41
Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
View profile →Develop — film
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Before you buy used
About this camera
The Mamiya 6 refined: a multi-format 120-film rangefinder that crops natively to 6x6, 6x4.5, or 35mm panoramic in-camera.
| Field | Value |
|---|
| Format | 120 film; 6x6 cm / 6x4.5 cm / ~panoramic (selectable mask) |
| Mount | Mamiya 6 bayonet (collapsible) |
| Years | ~1993 – mid-1990s |
| Shutter | 4s – 1/500s + B, Seiko electronic leaf, in each lens |
| Flash sync | 1/500s (all speeds) |
| Meter | Centre-weighted TTL, silicon cell |
| Modes | Aperture priority, manual |
| Focus | Coupled rangefinder |
| Weight | ~ (~490 g body) |
| Battery | 2x CR2 (required) |
Mamiya introduced the original Mamiya 6 in 1989 as a modern medium-format rangefinder system — the first truly new camera of this type in decades, designed from the ground up for the 120 format with interchangeable collapsible lenses. The system included three Mamiya 6-mount lenses: 50mm f/4, 75mm f/3.5, and 150mm f/4.5. The 6 MF followed around 1993, adding the in-camera multi-format masking feature as the primary distinguishing upgrade.
Mamiya subsequently developed the Mamiya 7 (1995), which extended the concept to 6x7 format with a new, non-collapsible lens mount. The Mamiya 7 and 7 II superseded the Mamiya 6 system in the market, and Mamiya 6 production wound down in the mid-1990s. The three Mamiya 6 lenses are not interchangeable with Mamiya 7 bodies.
The Mamiya 6 MF offers an unusual combination of compact body size, sharp interchangeable lenses, full leaf-shutter flash sync, and rangefinder precision that no other production camera has replicated at this format. The multi-format masking system lets a single camera and roll of film produce 6x6 square frames, 645-proportion frames for portrait-orientation use, or wide panoramic crops - useful for photographers whose work spans multiple output formats.
For 2026 buyers, the Mamiya 6 MF commands a premium over the original Mamiya 6 body on the used market, driven by the multi-format feature and its rarity relative to the standard model. The lens system (50/75/150) is shared with original Mamiya 6 bodies, so used lenses are relatively accessible. The primary limitation of the entire Mamiya 6 platform is its three-lens system: there is no ultrawide, no macro, and no telephoto beyond 150mm.
The 6x6 square format combined with the rangefinder's quiet, vibration-free Seiko leaf shutter made the Mamiya 6 family a favoured street and travel camera for photographers who needed medium-format quality with manageable bulk.
Mamiya 6 bayonet mount (collapsing design). Three lenses: 50mm f/4 L (wide, equivalent ~28mm in 35mm terms on 6x6), 75mm f/3.5 L (standard, equivalent ~42mm), 150mm f/4.5 L (short telephoto, equivalent ~84mm). All collapse into the body for transport. No other focal lengths were produced for this mount.
Accessories: dedicated lens hoods for each focal length (important given collapsible design), Mamiya 6 cable release, filter adapters. The multi-format mask is a built-in body feature; no external accessories required.
BW
Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
View profile →Mamiya 6 MF
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