C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Koni-Omega Rapid 100 (1968) is a 6×7cm medium-format press-style rangefinder camera built by Konishiroku Photo Industry (Konica) in Japan and sold in North America under the Koni-Omega brand through Berkey Photo. It is a direct successor to the original Koni-Omega Rapid (1964), retaining the same fundamental architecture — push-pull film advance, interchangeable film magazines, interchangeable leaf-shutter lenses, coupled rangefinder — while incorporating revised film back sealing and ergonomic refinements to the magazine latch system.
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C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Portra 160 is a professional C-41 color negative film with fine grain, soft contrast, and natural color.
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Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
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About this camera
A refined successor to the original Rapid, the Koni-Omega Rapid 100 brought a cleaner film-back interface and improved sealing to Konica's professional 6×7 press camera line.
| Field | Value |
|---|
| Format | 120 / 220, 6×7cm (10 exp / 120) |
| Mount | Koni-Omega bayonet (interchangeable) |
| Years | 1968–1977 |
| Primary lens | Hexanon 90mm f/3.5 |
| Other lenses | 58mm f/5.6 wide, 135mm f/4.5 tele |
| Shutter | Leaf (in lens): 1s – 1/500s + B |
| Flash sync | All speeds (leaf shutter) |
| Film advance | Push-pull rapid advance |
| Meter | None |
| Viewfinder | Coupled rangefinder, parallax-corrected brightlines |
| Battery | None |
Konica introduced the Rapid 100 in 1968 as the first major revision of the Koni-Omega press camera concept. The "100" designation reflected both the revised model numbering scheme and a nod to the 100-series update philosophy then common in Japanese camera manufacturing. Key changes from the original Rapid were an improved film-back locking mechanism to reduce light leaks, a revised advance mechanism with firmer detents, and a cleaner lens-release system.
The Rapid 100 sold alongside the original Rapid for a period, then became the primary press camera offering until the introduction of the Koni-Omega 200 in the mid-1970s. The 200 brought electronic automatic exposure to the line — a significant shift in philosophy. The Rapid 100 remained in use in professional settings where fully manual operation was preferred.
The Rapid 100 represents the mature form of the push-pull Koni-Omega concept before the line moved toward automation. It is interchangeable with the original Rapid's lenses and backs, making it part of a unified system that photographers could build up over time. Today it offers a relatively affordable path to 6×7 medium format with a sharp Hexanon lens and full-speed flash sync — advantages that remain practically useful for film photographers.
Same lens family as the original Koni-Omega Rapid:
Film magazines are interchangeable for 120 and 220 film. Backs from the original Rapid are compatible, though sealing quality may vary between generations.
E6
Fujifilm Fujichrome Provia 100F (RDPIII) is a professional E6 reversal (slide) film in 135 and 120 formats, known for its natural, balanced color reproduction, very fine grain, and moderate saturation. It remains in production as of 2026 and is one of the last professional slide films available.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
View profileKonica Koni-Omega Rapid 100
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