C41
Kodak Gold 200
Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
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The Meopta Mikroma is a subminiature camera manufactured by Meopta of Prerov, Czechoslovakia, introduced around 1949. It produces 11x15mm negatives on a proprietary cassette-loaded film format. The camera was developed as a domestic alternative to the Latvian-then-West German Minox, which was the dominant product in the subminiature segment but was difficult to obtain behind the Iron Curtain.
Reference
Recommended film stocks for the minox format your camera takes.
C41
Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
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Fujifilm Superia X-TRA 400 (marketed as Superia 400 in some regions) is an ISO 400 C-41 consumer color negative film in 135 format, one of Fujifilm's most popular consumer films. It delivers warm, vibrant colors with moderate grain and remains in production in some markets.
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About this camera
A Czechoslovak subminiature camera producing 11x15mm frames, designed to compete with the West German Minox.
| Field | Value |
|---|
| Format | ~11x15mm (proprietary cassette) |
| Mount | Fixed |
| Taking lens | Mirar 20mm f/3.5 |
| Year introduced | ~1949 |
| Shutter | Leaf: ~1/10s - 1/200s + B |
| Flash sync | ~ |
| Meter | None |
| Focus | Zone (distance selector) |
| Viewfinder | Direct-vision optical |
| Battery | None |
Meopta had established optical manufacturing capability before the Second World War under the Optikotechna name, and after nationalisation in the late 1940s the company was directed to produce a range of photographic equipment for the domestic Czechoslovak market. The Mikroma was one result: a subminiature camera intended to fill the niche that the Minox occupied in Western markets.
The subminiature camera segment attracted significant Cold War interest. Cameras of this size had obvious intelligence applications, and several Eastern Bloc manufacturers -- including the Soviet KMZ (which produced the Narciss) and the East German VEB (which licensed various designs) -- made efforts in the category. The Mikroma was Czechoslovakia's primary contribution.
A successor, the Mikroma II, followed with refinements to the film transport and minor mechanical improvements. The Mikroma II is somewhat more common on the used market; the original Mikroma I is the rarer and earlier variant.
The Mikroma is historically significant as one of the few subminiature cameras produced entirely within the Eastern Bloc from domestic components and optical formulas. Where the Soviet Kiev Vega was closely modelled on the Minox, the Mikroma represents an independent Czech engineering approach, using a different film cassette system and a lens formula developed in-house.
The Mirar 20mm f/3.5 is adequate for subminiature use -- the small negative format places its own limits on ultimate image quality before lens design becomes the constraint. At the 11x15mm format, even a modestly corrected triplet produces usable negatives when exposed carefully and printed or scanned at modest enlargement.
For collectors, the Mikroma occupies a specific niche: Czech subminiature cameras are less widely collected than Minox variants but have a dedicated following among Eastern European camera collectors and Cold War photography historians. Working examples with functional shutters and clean lenses are increasingly uncommon.
Kodak UltraMax 400 is a versatile consumer-grade ISO 400 daylight-balanced color negative film with T-grain emulsion, delivering warm Kodak colors, fine-for-speed grain (PGI 46), and wide exposure latitude. Currently in production and available globally as a single-roll and multi-pack.
BW
Ilford HP5 Plus is a flexible ISO 400 black-and-white film with classic grain and strong push-processing tolerance.
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Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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