C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Mamiya M645J (1975) is the introductory model of Mamiya's M645 system — the Japanese camera industry's first commercially successful 6×4.5 cm medium-format SLR. Where the M645 1000S offers an interchangeable finder system, the J is simplified: a fixed waist-level finder, no interchangeable magazine, and a shutter range limited to 8s–1/500s. It accepts the same Mamiya 645-mount lenses as all other M645 bodies, giving the owner access to an extensive range of primes and zooms developed over the system's 30-year lifespan.
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C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Portra 160 is a professional C-41 color negative film with fine grain, soft contrast, and natural color.
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Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
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About this camera
The entry point to the Mamiya 645 system — a fixed waist-level finder, modest shutter range, and complete compatibility with the full 645 lens family.
| Field | Value |
|---|
| Format | 120 / 220 film (6×4.5 cm, 15/30 frames) |
| Mount | Mamiya 645 |
| Years | 1975–1982 |
| Shutter | 8s – 1/500s + B, vertical metal |
| Flash sync | 1/60s |
| Meter | TTL CdS center-weighted, EV 4–18 |
| Modes | Aperture-priority, Manual |
| Finder | Fixed waist-level with magnifier |
| Battery | 2× LR44 / SR44 |
| Frame size | 6×4.5 cm (56×41.5mm) |
Mamiya introduced the M645 system in 1975, marketing it as a professional medium-format camera that was smaller and lighter than 6×6 or 6×7 systems while still delivering a negative substantially larger than 35mm. The original M645 had an interchangeable magazine and interchangeable finder. The M645J was the simplified, lower-cost entry model with a fixed waist-level finder and non-interchangeable film back — though the film door can be swapped between regular (120/220) configurations. The M645 1000S (also 1975) was the higher specification sibling with 1/1000s shutter and interchangeable prism/WL finders. The system evolved into the M645 Super (1985) and M645 Pro (1992), maintaining lens compatibility throughout.
The M645J is the most affordable entry into a medium-format lens system of remarkable depth and optical quality. Mamiya's 645 lenses — including the Sekor C 80mm f/1.9, 45mm f/2.8, 150mm f/3.5, 55–110mm f/4.5 zoom, and the legendary 300mm f/5.6 — are excellent and widely available at reasonable prices. The 6×4.5 format gives a negative 2.7× larger than 35mm, with a 2:3 aspect ratio that matches standard paper sizes. The J's fixed waist-level finder suits portrait, landscape, and macro work from below or above eye level. The lack of interchangeable finder is rarely a limitation for most shooters.
Mamiya 645 mount. Key lenses: Sekor C 45mm f/2.8 (wide), 55mm f/2.8, 80mm f/2.8 (standard), 80mm f/1.9 (fast portrait), 110mm f/2.8 (excellent portrait), 150mm f/3.5 (short telephoto), 210mm f/4, 300mm f/5.6. Macro: Macro 120mm f/4. Extension tubes for macro work. Film: standard 120/220 in cassette form (no Polaroid back on the J). No winder option.
E6
Fujifilm Fujichrome Velvia 50 (RVP 50) is the legendary professional E6 reversal slide film at ISO 50 that defined landscape and nature photography for a generation. Characterized by extreme saturation, deep contrast, and ultra-fine grain, it remains in active production as of 2026.
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Ilford HP5 Plus is a flexible ISO 400 black-and-white film with classic grain and strong push-processing tolerance.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
View profileMamiya M645J
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