C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Pentax P30N (1988) is a consumer-tier manual-focus SLR representing Pentax's iterative refinement of the P-series line between the original P3 and the subsequent P30T. It occupies a clear step above the P3 by restoring manual exposure mode alongside aperture-priority and program, and it extends the shutter ceiling to 1/2,000s - matching the capability of mid-tier bodies of the era. The KA-mount interface enables full two-way communication with KA-type lenses, allowing the camera to set the aperture automatically in program mode. Powered by two AA batteries, it avoids proprietary cells and remains usable with widely available hardware.
Reference
Recommended film stocks for the 35mm format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
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Before you buy used
About this camera
Refined 1988 KA-mount multi-mode SLR bridging the P3 and P30T with full manual control.
| Field | Value |
|---|
| Format | 35mm |
| Mount | Pentax KA |
| Years | ~1988–1995 |
| Shutter | 1s – 1/2,000s + Bulb, electronic vertical metallic |
| Flash sync | 1/100s |
| Meter | TTL center-weighted SPC, ~EV 1–20 |
| Exposure modes | Manual, aperture-priority, program |
| Viewfinder | ~90% coverage, ~0.78× |
| Weight | ~510 g (body only) |
| Battery | 2× AA |
The P-series launched in the mid-1980s to bring KA-mount exposure automation to a price point below Pentax's Super-A and Super Program. The P3 (1985) introduced the concept but omitted manual exposure, a gap Pentax addressed with the P30 family later in the decade. The P30N represents the 1988 generation of that correction, adding manual mode and a faster top shutter speed while retaining the polycarbonate construction and AA-battery power of the P3.
By the late 1980s Pentax's SF-series (SF-1, 1987) had established autofocus in the consumer market, and the P-series' role narrowed to buyers who preferred manual focus or could not stretch to an autofocus body. The P30T followed the P30N with further minor specification updates, and the P-series as a whole was phased out in the early-to-mid 1990s as the autofocus Z-series replaced manual-focus consumer SLRs across the Pentax lineup.
The P30N sits at a historically interesting point: it is a manual-focus consumer SLR manufactured at the moment autofocus was becoming accessible, and it demonstrates the market's willingness to maintain a manual-focus tier even as autofocus expanded downward in price. The decision to add manual exposure distinguishes it from the P3 and makes it a more instructionally complete camera - one that a photography student could use to learn the exposure triangle without the automation crutch the P3 imposed.
For contemporary film shooters, the P30N's value is practical rather than historical. It accepts the entire K-mount ecosystem, functions in three exposure modes, and commands low prices on the used market. The 1/2,000s ceiling is a genuine improvement over the P3's 1/1,000s, useful when shooting fast film in bright conditions with a standard lens at larger apertures.
The KA mount accepts K, KA, KAF, KAF2, and KAF3 lenses. Manual K-mount lenses without electrical contacts work in aperture-priority and manual modes with stop-down metering as required; KA and later lenses enable full program automation. The natural kit companions are the SMC Pentax-A 50/1.7 and SMC Pentax-A 50/2; the 35-70mm f/3.5-4.5 and 28-80mm zooms were marketed alongside the P-series as entry-level kits.
A standard ISO hot shoe accepts dedicated Pentax flashes and generic shoe-mount units. No motor drive appears to have been marketed for the P30N; the body lacks the electrical contacts necessary for a dedicated winder on some P-series variants.
BW
Ilford HP5 Plus is a flexible ISO 400 black-and-white film with classic grain and strong push-processing tolerance.
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Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
View profile →Pentax P30N
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