C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Nikon F2 Photomic Black is the black-painted configuration of the F2 Photomic, pairing the all-mechanical F2 body in black paint with the DP-1 Photomic finder, which incorporates a CdS center-weighted metering head (60/40 weighting). The underlying F2 body runs entirely without battery; the DP-1 prism requires two PX625 mercury cells solely for meter operation. Every shutter speed - from 10s to 1/2000s, plus B and T - fires mechanically without power. The black body was the professional-grade finish, associated with working press and editorial photographers throughout the 1970s. Chrome F2 Photomics existed but the black variant was standard issue at major wire agencies and for working photojournalists.
Reference
Recommended film stocks for the 35mm format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
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Before you buy used
About this camera
The professional's F2: black-painted brass body with DP-1 CdS metering prism, fully mechanical at every shutter speed.
| Field | Value |
|---|
| Format | 35mm |
| Mount | Nikon F (pre-AI; not AI-coupled) |
| Years | 1971-1976 |
| Shutter | 10s - 1/2000s + B + T, mechanical titanium horizontal |
| Flash sync | 1/80s |
| Meter | DP-1 prism, CdS center-weighted 60/40 |
| Meter coupling | Match-needle via galvanometer |
| Exposure modes | Manual only |
| Battery | 2x PX625 (prism only); body needs none |
| Weight | ~730 g body; ~900 g with DP-1 prism |
| Finder coverage | 100% |
| Finish | Black paint over brass chassis |
Nikon introduced the F2 in October 1971 as the successor to the Nikon F, which had dominated professional 35mm photography since 1959. The F2 Photomic - the body with the DP-1 metering prism - was the initial production configuration, available from launch in both chrome and black finishes. The black body was positioned as the professional option; Nikon's historical advertising of this era consistently showed photojournalists working with black-bodied cameras. The DP-1's CdS metering was superseded by the silicon-photodiode DP-2 (F2S) finder in 1973, making the F2 Photomic feel dated within two years of launch. However, the mechanical chassis beneath the prism - the F2 body itself - continued in production through 1980 in later variants. The black F2 Photomic remained associated with the early 1970s press photography era before the F2A and F2AS introduced AI coupling.
The black F2 Photomic is one of the most recognizable professional cameras of the 1970s. Its visual presence - heavy black-painted brass body, the rectangular DP-1 prism housing, the characteristic shape of the F2 chassis - appears across press photography from the Nixon administration through the Vietnam War era. The all-mechanical shutter was a defining professional virtue: a camera that fires at every speed regardless of battery state was essential for assignment photographers who could not risk a dead camera at a critical moment. The black finish reduced lens flare in tight spaces and avoided the chrome glint that could compromise candid work. Collectively, the black F2 Photomic represents the apex of the pre-AI professional Nikon system.
Nikon F mount, pre-AI. All pre-AI Nikkors couple to the DP-1 meter at full aperture. AI and AI-S lenses mount mechanically and can be used with stop-down metering or manual exposure, but the DP-1 prism lacks AI coupling; for AI metering the DP-11 or DP-12 finder is required. Classic pairings from the era: Nikkor-S 50mm f/1.4 Auto, Nikkor-H 28mm f/3.5, and the Nikkor-P 105mm f/2.5. Motor drives: MD-1 with MB-1 battery pack (~4 fps); MD-2 for higher frame rates. Interchangeable finders include the DE-1 (bare eye-level, no meter), DW-1 (waist-level), DW-2 (6x magnifier for macro work). Standard focusing screen: B-type matte; K-type (split-prism + microprism collar) is most useful for general work.
BW
Ilford HP5 Plus is a flexible ISO 400 black-and-white film with classic grain and strong push-processing tolerance.
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Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
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