C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Mamiya MSX 1000 Black (~1976) is a cosmetic variant of the standard chrome Mamiya MSX 1000 (1974), sharing identical internals: M42 screw mount, electronic vertical-metal-blade shutter to 1/1000s, and TTL stop-down CdS metering switchable between spot and average modes. The body finish is black paint rather than chrome, following the industry pattern of the mid-1970s in which black-body variants of established cameras were offered at a modest premium as an aspirational tier — a practice common across Nikon, Canon, and Pentax at the time. Mechanically and electronically, no documented differences from the standard silver MSX 1000 have been confirmed.
Reference
Recommended film stocks for the 35mm format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
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Before you buy used
About this camera
The chrome MSX 1000 in black paint: same M42 electronic-shutter body, darker cosmetics, modest collector premium.
| Field | Value |
|---|
| Format | 35mm |
| Mount | M42 screw |
| Years | ~1976 - ~1978 |
| Shutter | 1s - 1/1000s, electronic vertical metal |
| Flash sync | 1/60s |
| Meter | TTL stop-down CdS, switchable spot/average |
| Modes | Manual |
| Weight | ~680 g |
| Battery | 2x SR44 (no mechanical fallback) |
Mamiya introduced the MSX 1000 in 1974 as the electronic-shutter successor to the mechanically shuttered 1000 DTL. The transition from cloth horizontal shutter to an electronic vertical-metal shutter was the primary engineering advance; the dual-mode CdS metering system (spot and average, switchable via a top-plate selector) was carried over from the DTL lineage. The black-body version followed approximately two years into production, around 1976, consistent with the mid-product-life timing at which most Japanese manufacturers introduced black variants.
By 1976, black SLR bodies had become strongly associated with professional and advanced-amateur use, driven by the Nikon F2 Black, the Canon F-1 black, and the Pentax LX campaign. Mamiya's offering of a black MSX 1000 placed it in market competition with these more prestigious bodies on cosmetic grounds while remaining substantially less expensive. The M42 mount was already commercially declining by 1976 — Pentax had introduced the K mount in 1975 — which likely limited the black variant's commercial life; both MSX 1000 variants appear to have been discontinued around 1978 as Mamiya prepared to exit the M42 segment.
The black MSX 1000 occupies a narrow niche: collectors assembling complete Mamiya M42 variant sets, and photographers who prefer the aesthetic of a black body but want M42 compatibility without paying Nikon F2 or Canon F-1 prices. The specification is identical to the chrome variant, so there is no functional reason to seek out the black body specifically unless cosmetics or variant completeness are the goal.
On the used market, black-body variants of this era typically carry a modest premium over chrome examples — roughly 20-40% in comparable condition — reflecting collector demand rather than any photographic advantage. Condition matters significantly: paint chips and brassing on black-painted bodies are more visually prominent than on chrome, and unrestored examples in very good cosmetic condition command the highest prices.
M42 screw mount. All M42 lenses are compatible with stop-down metering; no open-aperture metering coupling is supported with any M42 lens. The spot/average meter selector is most useful with longer or faster lenses where average metering is more susceptible to meter error from high-contrast scenes.
Recommended M42 pairings:
No winder, motor drive, or dedicated data back is documented for the MSX 1000 series.
BW
Ilford HP5 Plus is a flexible ISO 400 black-and-white film with classic grain and strong push-processing tolerance.
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Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
View profile →Mamiya MSX 1000 Black
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