C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Alpa 12 TLC (1968) is a 35mm single-lens reflex camera manufactured by Pignons S.A. of Ballaigues, Switzerland. The "TLC" designation stands for Through-Lens CdS, signifying the most important specification change from earlier Alpa 12-series bodies: the incorporation of a cadmium-sulfide (CdS) exposure meter reading light through the taking lens rather than via an external selenium cell. The result is metering accuracy matched to the actual image-forming light for any lens mounted on the camera, at any focused distance — a particular advantage with the Kern Macro-Switar and other close-range lenses for which Alpa cameras were known.
Reference
Recommended film stocks for the 35mm format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
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Before you buy used
About this camera
The Pignons Alpa that brought TTL CdS through-the-lens metering to the 12-series body in 1968.
| Field | Value |
|---|
| Format | 35mm |
| Mount | Alpa bayonet |
| Years | 1968–~1973 |
| Metering | TTL stop-down CdS |
| Battery | PX625 (or Wein MRB625 equivalent) |
| Shutter | Focal-plane: 1s – 1/1000s + B |
| Flash sync | 1/25s |
| Viewfinder | Pentaprism, eye-level |
| Focus aids | Ground glass + microprism |
| Mirror lockup | Yes |
The Alpa 12 line originated in the mid-1960s as Pignons refined the architecture of the mid-range Alpa body. The Alpa 9d (1965) introduced an integrated selenium cell to provide exposure metering without an external meter; selenium cells read light incident on the cell itself rather than through the lens, requiring correction factors for close-up work and for the varying transmission characteristics of different lenses.
The Alpa 12 TLC (1968) answered the limitation of the selenium approach by moving the CdS sensor behind the reflex mirror, reading light from the imaging cone directly. This placed the Alpa 12 TLC broadly contemporaneous with TTL metering introductions at other manufacturers — Pentax's Spotmatic had demonstrated stop-down TTL metering in 1964, and by 1968 TTL CdS was becoming the expected standard for a precision SLR.
The model was superseded by the Alpa 10d (1969), which carried forward the TTL CdS system in a revised body. The "12" and "10" designators indicate different body revisions within the Pignons line, not a strict numerical progression of features. Production quantities for the Alpa 12 TLC, in common with all Pignons models, were very small.
The Alpa 12 TLC represents the point at which the Pignons SLR line joined the mainstream of TTL metering technology — while retaining all the characteristics that distinguished Alpa cameras from cheaper contemporaries: Swiss-precision construction, Kern optics compatibility, mirror lockup, and the long-lived Alpa bayonet mount.
For photographers working with the Kern Macro-Switar 50mm f/1.8 or the Macro-Switar 100mm f/2 at high magnification, stop-down TTL metering is not merely convenient but technically superior to any incident or external reflected metering approach: it accounts automatically for the exposure increase factor imposed by extension, for the actual transmission of the lens at the working aperture, and for any filter or attachment in the light path. This made the Alpa 12 TLC genuinely useful as a scientific and technical instrument as well as a photographic tool.
The camera is rare today and commands collector prices reflecting both its scarcity and the ongoing desirability of the Alpa system as a whole.
The Alpa mount accepts the full Kern and Alpa-compatible lens range:
BW
Ilford HP5 Plus is a flexible ISO 400 black-and-white film with classic grain and strong push-processing tolerance.
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Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
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