C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Zeiss Ikon Movinette is a 6x9 cm folding roll-film camera introduced in 1928, produced as part of the broader Ikonette family within Zeiss Ikon's rationalised post-merger product range. Where the Cocarette and Ikonta lines targeted the mid and upper market with Tessar lenses and quality Compur shutters, the Movinette sat at the more accessible end of the range, fitted with simpler lens and shutter combinations to bring medium-format photography to a wider audience.
Reference
Recommended film stocks for the 120 format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
View profile →C41
Kodak Portra 160 is a professional C-41 color negative film with fine grain, soft contrast, and natural color.
View profile →C41
Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
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About this camera
A simplified 6x9 cm Zeiss Ikon folding camera from 1928, part of the entry-level Ikonette family, prioritising affordability over optical sophistication.
| Field | Value |
|---|
| Format | 6x9 cm on 120 roll film |
| Lens | Novar or Frontar f/6.3 or f/8 (variant-dependent; ~ unverified) |
| Years | ~1928 onward (discontinuation unverified) |
| Shutter | Derval or simple rim-set leaf, ~1s - 1/100s + B |
| Flash sync | None (pre-sync era) |
| Meter | None |
| Focus | Scale focus |
| Battery | None required |
Zeiss Ikon was formed in 1926 and immediately faced the task of rationalising camera lines from four predecessor companies (Contessa-Nettel, ICA AG, Ernemann, Goerz). By 1927-1928 the new company was publishing a coherent catalogue that segmented the market by format, focus system, and price tier.
The Movinette and the Ikonette family it belonged to were Zeiss Ikon's answer to demand for affordable 6x9 cm cameras. German camera buyers of the late 1920s were generally moving from plates toward roll film, and a camera like the Movinette made roll-film 6x9 accessible to photographers who could not justify the cost of a Tessar-equipped model.
The camera was produced into the early 1930s. It was eventually superseded within Zeiss Ikon's lineup by the Nettar series, which pursued a similar market segment with updated designs into the 1930s and 1940s.
The Movinette represents the democratising side of the 1920s German camera industry: as the major manufacturers consolidated and rationalised, they could offer even entry-level products with the benefit of shared tooling and optical supply chains. A Movinette owner in 1928 could take 6x9 cm roll-film negatives — substantially larger than the 35mm film that would only later become consumer-grade — at a price that made medium format accessible.
For collectors the camera is less sought-after than the rangefinder-coupled models but occupies an interesting niche: early Zeiss Ikon production, representative of the company's entry-level strategy, and mechanically simple enough to be restored without specialist shutter expertise.
The simpler lens on the Movinette (likely a triplet or similar design) produces images with softer corners and less resolution at large apertures compared to the Tessar, but stopped to f/11-16 it is entirely capable of sharp landscape or documentary work in good light.
BW
Ilford HP5 Plus is a flexible ISO 400 black-and-white film with classic grain and strong push-processing tolerance.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
View profile →Zeiss Ikon Movinette
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