C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Hapo 66 is a German 6x6 cm folding camera produced from approximately 1936. It shoots 120 roll film and produces 6x6 cm square negatives at 12 exposures per roll. The camera was sold under the Hapo brand name, which was the house brand of Photo-Porst, a German photographic retail chain that distributed cameras manufactured by third-party German makers under its own label -- a common practice in the pre- and postwar German trade.
Reference
Recommended film stocks for the — format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Portra 160 is a professional C-41 color negative film with fine grain, soft contrast, and natural color.
View profile →C41
Kodak Ektar 100 is a fine-grain C-41 color negative film with saturated color and high sharpness.
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Before you buy used
About this camera
A prewar German 6x6 folding camera sold under the Photo-Porst house brand, offering medium format on a budget.
| Field | Value |
|---|
| Format | 120 film, 6x6 cm (~12 exposures per roll) |
| Mount | Fixed (non-interchangeable) |
| Year introduced | ~1936 |
| Lens | ~75mm, fixed aperture or scale-aperture |
| Shutter | Leaf: ~1s - 1/100s + B |
| Flash sync | None on base model |
| Meter | None |
| Focus | Scale (estimated distance) |
| Battery | None |
| Viewfinder | Optical direct-vision |
Photo-Porst was one of Germany's major photographic retail chains, operating from Munich and distributing cameras, film, and accessories through a network of retail outlets and mail-order catalogs. Like many large retailers of the era -- American examples include Sears Roebuck distributing Tower-branded cameras -- Photo-Porst contracted with German camera manufacturers to produce cameras under its Hapo house brand.
The Hapo 66 appeared in 1936, a period of significant activity in the German amateur camera market. Medium-format folders in the 6x6 format were a competitive product class, with manufacturers including Voigtlander, Balda, Certo, and Zeiss Ikon all producing folding cameras targeting the same price-sensitive buyer. The 6x6 format offered a large, square negative with no need to choose portrait or landscape orientation -- a practical advantage for users who printed at fixed sizes.
The exact manufacturer of the Hapo 66 body is not established in surviving documentation. German OEM camera manufacturing in this period was widespread, with several firms producing camera bodies that were sold under many different brand names; the Hapo may have been manufactured by Balda, Certo, or another medium-size folding camera producer of the era.
Production of prewar Hapo cameras was interrupted by World War II, and the brand does not appear to have continued meaningfully into the postwar West German camera industry.
The Hapo 66 occupies an interesting position in camera history as an example of the German retail house-brand trade. Rather than being a product of a named manufacturer with an engineering identity, the Hapo represents the distribution side of the camera industry: a retailer packaging medium-format capability at a consumer price point under its own label.
For photographers and collectors, the camera demonstrates that access to the 6x6 medium format in prewar Germany was not restricted to the premium Zeiss or Voigtlander lines. Consumers without the budget for a Voigtlander Bessa or a Zeiss Ikonta could purchase a functionally similar folding camera through a Photo-Porst catalog at a meaningfully lower price. The resulting image quality -- driven more by the 6x6 negative size than by the optical formula -- was broadly competitive.
Surviving examples are relatively uncommon in collections outside Germany, since the Hapo brand had limited export presence and limited collector recognition compared to better-known names.
BW
Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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