C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Konica Snappy (1985) is an entry-level fixed-focus 35mm compact designed for the broadest possible consumer audience. Programmed-automatic exposure, fixed-focus lens, built-in flash, and DX coding (on later variants) describe a camera that demands nothing of its user beyond loading film and pressing the shutter. The Snappy was Konica's response to the point-and-shoot boom of the mid-1980s, when every major Japanese manufacturer was producing simplified 35mm compacts for consumers who wanted color photographs without any technical involvement.
Reference
Recommended film stocks for the 35mm format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
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Kodak UltraMax 400 is a versatile consumer-grade ISO 400 daylight-balanced color negative film with T-grain emulsion, delivering warm Kodak colors, fine-for-speed grain (PGI 46), and wide exposure latitude. Currently in production and available globally as a single-roll and multi-pack.
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Before you buy used
About this camera
Fully automatic fixed-focus 35mm point-and-shoot for the mass consumer market, 1985.
| Field | Value |
|---|
| Format | 35mm |
| Lens | ~35mm f/5.6 fixed focus |
| Year | 1985 |
| Shutter | Electronic leaf, ~1/45s - 1/250s |
| Meter | CdS, programmed auto |
| Modes | Program only |
| Focus | Fixed focus |
| Battery | ~2x AA |
| Flash | Built-in auto |
| DX coding | ~Yes (later variants) |
By the mid-1980s, the Japanese camera industry had segmented its 35mm compact output into clear tiers: premium compacts with autofocus and Hexanon-class lenses, mid-range compacts with programmed AE and simple autofocus, and entry-level fixed-focus cameras sold at mass-market price points. The Snappy was Konica's entry in that lowest tier, competing with equivalents from Fujifilm, Olympus (the AF-1 Mini and Trip series), Chinon, and others.
The name "Snappy" was used across multiple variants and update cycles during the 1980s and into the early 1990s; precise variant documentation for English-language markets is sparse. Some variants may have been sold under different names in different regions, a common practice for commodity point-and-shoot cameras of the era.
Konica's withdrawal from cameras following the 2003 Konica-Minolta merger and eventual exit from cameras in 2006 ended the entire consumer compact line, of which the Snappy was one of the lowest rungs.
The Konica Snappy is not a significant camera by any technical or cultural measure. It represents the functional floor of the 1980s point-and-shoot market: a camera that does its job, produces acceptable color negatives under decent light, and asks nothing more of the photographer than basic operation.
Its relevance today is twofold: it is an inexpensive entry point to 35mm film for beginners who want to experiment without financial commitment, and it illustrates the industrial scale at which 35mm compact cameras were produced during the mass-market era of the 1980s. The Snappy and its countless equivalents from other manufacturers outnumbered serious cameras by a large margin, and they represent the photographic experience of most non-professional film users of that decade.
C41
Kodak ColorPlus 200 is an affordable, consumer-oriented daylight-balanced color negative film at ISO 200. Known for warm, slightly muted color rendition, fine grain, and wide exposure latitude, it is currently in production and widely available in Asia and select global markets.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
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