C41
Kodak Portra 400
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
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The Konica MT-100 (1991) is a fully automatic motor-driven 35mm compact from Konica's consumer point-and-shoot lineup. The "MT" designation references the integrated motor transport, which automates film loading, frame advance, and rewind -- a feature that had become nearly universal in the segment by 1991 but was still marketed explicitly in budget-tier models as a selling point. DX coding reads ISO from the cassette (ISO 50-3200), and active infrared autofocus handles zone or continuous-servo focusing depending on the variant.
Reference
Recommended film stocks for the 35mm format your camera takes.
C41
Kodak Portra 400 is a professional C-41 color negative film known for flexible exposure latitude, natural skin tones, and fine grain.
View profile →C41
Kodak Gold 200 is a daylight-balanced C-41 color negative film with warm color, moderate grain, and a classic consumer-film look.
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Kodak UltraMax 400 is a versatile consumer-grade ISO 400 daylight-balanced color negative film with T-grain emulsion, delivering warm Kodak colors, fine-for-speed grain (PGI 46), and wide exposure latitude. Currently in production and available globally as a single-roll and multi-pack.
Develop 35mm film
Labs in our directory that process 35mm film.
Before you buy used
About this camera
An early-1990s Konica motor-driven autofocus compact, fully automated from load to rewind.
| Field | Value |
|---|
| Format | 35mm |
| Lens | ~35mm f/~4.0 (fixed) |
| Year | 1991 |
| Shutter | Program auto, ~1/400s max |
| Meter | Center-weighted silicon |
| DX coding | Yes (ISO 50-3200) |
| Focus | Active infrared AF |
| Motor | Auto load, advance, rewind |
| Flash | Built-in auto-pop |
| Battery | 2x AA |
Konica entered the 1990s with a sprawling point-and-shoot catalog designed to serve every price tier below the premium Hexar AF and Big Mini. The MT-100 was positioned toward the lower end of that range, competing directly with Fuji's DL and Smart series and Olympus's AF-1 Mini. Motor-driven compacts had become the default format by 1991 -- manual wind compacts were already an anachronism in this category -- so the MT designation was as much a price-tier label as a technical differentiator.
Konica consolidated and narrowed its consumer compact lineup later in the 1990s as digital cameras began eroding entry-level film camera sales, and the MT series was gradually discontinued without a direct named successor.
The MT-100 has no particular cultural significance and was not used in professional or editorial contexts. It represents the commoditized end of 1990s film camera production -- a fully functional 35mm camera that was intended to be replaced, not repaired. Its current relevance is almost entirely practical: it is one of the cheapest working 35mm cameras available used, making it useful for film beginners, for experimental or hand-off shooting, or for situations where camera loss or damage is a realistic risk.
C41
Kodak ColorPlus 200 is an affordable, consumer-oriented daylight-balanced color negative film at ISO 200. Known for warm, slightly muted color rendition, fine grain, and wide exposure latitude, it is currently in production and widely available in Asia and select global markets.
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Kodak Tri-X 400 is a classic black-and-white film known for strong tonality, visible grain, and documentary character.
View profile →Konica MT-100
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